And yes, the frames still have to be rebuilt with After Effects CC 2017, but now that it uses the GPU, this task is incredibly fast. Historically, if you’d applied an effect to a clip, every frame that had been cached with those changes would have to be dropped and rebuilt should you make even the slightest alteration to the effect. This has been incorporated into After Effects for a few years now, but Adobe has now begun to use it to accelerate some of the special effects it offers. As you might expect, this too is a processor intensive effect, but it can do a great job of rescuing blurred frames, especially if you use the high quality Deblur option.Īnother welcome addition to After Effects is GPU-based acceleration via Open CL. With that in mind, After Effects has the Camera-Shake Deblur effect. While the results are good and in fact better than previous versions of After Effects, you may still encounter the odd frame that’s been blurred in the process, especially if the original shot was too jerky. This is usually quite processor intensive, especially for a long video clip. Stabilisation chopsĪdobe has also improved the app’s stabilisation tools, which represent a combination of cropping and on-the-fly rotation to smooth out the movement in your shot. After Effects takes care of everything for you. The template encapsulates everything in its file, including any media you’ve used, making it incredibly easy to move around from computer to computer or user to user without fearing you’ve forgotten to include a crucial file. Once you’re happy with your template, you can save it to your library or even to Creative Cloud to share it with others. There’s an Essential Graphics Panel here as well which is where you can build those complex template effects. We explore how you can use and edit Motion Graphics Templates in our review of Premiere, but After Effects is obviously where those templates are actually created. Speaking of Premiere Pro, one of the most interesting developments is the Essential Graphics Panel. This is a really big step forward because up until recently, no Adobe tool had real-time scopes, but after a careful acquisition, the firm has improved the multi-scope technology it purchased, and moved it across the board, which means it’s also available in Premiere Pro.

Which is why these scopes offer real-time feedback (depending on your computer’s processing power). What’s really important here is that this is all about video, not still images, and colour can and does change over time. Obviously these tools are designed to help you with colour correction, and the Effects Controls grant you access to a Colour Correction Lumetri, where all the parameters are at your disposal to create vibrant, colour-accurate versions of your original clips.

Adobe after effects cc 2017 kickass